Wayne Nez Gaussoin’s (Diné/Picuris Pueblo) Adobobot is a modern modular robot with a Southwestern adobe façade.

Through video and installation art, this exhibition creates a narrative of visual sovereignty and cultural and intellectual connections with contemporary Sámi, who are Indigenous peoples from parts of Norway, Sweden, and northern Finland.

Reconciliation responds to the transformation and last year's ending of “La Entrada” as part of the Santa Fe Fiestas. Recognizing the power of art to open dialogue toward reconciliation, the exhibition will serve as an expression of “post-entrada” creativity in Santa Fe and surrounding communities.

The Blessing is a vital piece of modern Native storytelling. The film has some of the most unique and intimate views of life today on a reservation we’ve ever seen.

Experimental exPRESSion: Printmaking at IAIA, 1963–1980 features fifty-one recently-acquired works on paper from the Tubis Print Collection.

Visual Voices: Contemporary Chickasaw Art presents thought provoking, experimental, and critical works by fifteen established and emerging artists whose art confirms a strong continuation of Chickasaw art practices.