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Robyn Tsinnajinnie and Austin Big Crow: The Holy Trinity
Robyn Tsinnajinnie (Navajo) and Austin Big Crow’s (Oglala Lakota) mural The Holy Trinity (2018) commemorates the strong women who have resonated through their lives.
Find out more »Experimental exPRESSion: Printmaking at IAIA, 1963–1980
Experimental exPRESSion: Printmaking at IAIA, 1963–1980 features fifty-one recently-acquired works on paper from the Tubis Print Collection.
Find out more »Lynnette Haozous: Abolishing the Entrada
As part of the Reconciliation exhibition, artist Lynnette Haozous (Chiricahua Apache/Diné//Taos Pueblo) painted a mural depicting the last day of the Entrada.
Find out more »Charlene Teters: Way of Sorrows
Way of Sorrows, a new installation by Charlene Teters (Spokane), addresses current issues such as forced migrations and the US-Mexico border crises, while asking questions about responsibility and identifying new myths.
Find out more »Indigenous Futurisms: Transcending Past/Present/Future
Indigenous Futurisms highlights artworks that present the future from a Native perspective, and illustrates the use of cosmology and science as part of tribal oral history and ways of life.
Find out more »Amanda Beardsley: Future Vibes
Future Vibes depicts young Pueblo women dancing into the future—to suggest that traditional knowledge continues into the present and future.
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