Jeffrey Gibson, First Solo Indigenous Artist Representing the US at the Venice Biennale Supports Students at IAIA
In Summer 2024, artist Jeffrey Gibson (member of the Mississippi Band of Choctaw Indians and of Cherokee descent) made history as the first Indigenous artist to represent the US at the Venice Biennale with a show of 11 paintings, nine sculptures, eight flags, two murals and one video installation, titled, the space in which to place me.
The IAIA Venice Indigenous School, held June 10–14, 2024, was also a groundbreaking opportunity for students, mentors, faculty, and staff from the MFA in Studio Arts (MFASA) and undergraduate programs at the Institute of American Indian Arts (IAIA) in Santa Fe, New Mexico, to participate in experiential learning related to Gibson’s exhibition.
“We are deeply honored to have been part of this historic moment at the Venice Biennale, where Jeffrey Gibson’s groundbreaking work served as both inspiration and education for our students. This extraordinary experience exemplifies the transformative power of Indigenous art and underscores IAIA’s commitment to fostering the next generation of Indigenous leaders,” said IAIA President, Dr. Robert Martin (Cherokee Nation).
The week began with a discussion with Jeffrey Gibson, along with Kathleen Ash-Milby (Navajo), the first Native curator at the US Pavilion, and Abigail Winograd, curator of the US pavilion. Gibson provided the IAIA students and mentors with a view of his career and the long trajectory to becoming the first Indigenous artist to represent the US at the Venice Biennale. He shared candid perspectives on navigating the complexities of the international contemporary art world and provided strategies for students and mentors with similar pursuits.
Dr. Mario Caro (Colombian Mestizo), MFASA Director said, “As part of the educational programming for Jeffrey Gibson’s 2024 Venice Biennale exhibition, MFASA conducted the “Venice Indigenous Arts School,” a week-long institute that included a seminar, lectures with international Indigenous guest speakers, and visits to various exhibitions, including the Venice Biennale.”
Other opportunities for students included learning and engaging with the people, land, water, plants, and animals Indigenous to the region of Venice itself. Chiara Famengo, a Venetian curator, educator, and urban-ecology researcher, hosted students on a tour of the Venice Lagoon and the island of San Erasmus. After their explorations, the group was treated to a meal of organic ingredients grown on the island.
Over a period of a week, students and mentors roamed the calles, canales, and palazzos of Venice, exploring traditions of Western Art along with contemporary art and, significantly, Gibson’s inclusions of Tribal memory, ancestral history, and social engagement.
At the 2023 IAIA Commencement, where Gibson received an honorary doctorate and provided the keynote speech, he said, “I continue to be amazed when I look at the things our ancestors made, and how those objects not only mark the time when they were made and tell the stories of the person or communities who made them, but they also reflect the maker’s decisions about materials, aesthetics, function, and engagement with their surrounding world.” Many of the elements of Gibson’s Biennale exhibition drew on these materials, incorporating tradition, and blending it with icons and imagery from popular culture.
Dr. Caro said, “There were also two public programs, The Space in Which We Story, a performance by the MFASA Class of 2025 at the US Pavilion, and sessions held at Ca’ Foscari University focusing on developing Keywords in Indigenous Arts, terminology from various Indigenous perspectives relevant to discussions on contemporary Indigenous arts.
“This was a unique opportunity to provide our students with a perspective on the workings of the international art world,” said Caro. “This privileged view was contextualized by the hard work of our mentors as well as our guest speakers in delivering the educational content for the week. As always, we are grateful to Dawn Double Blaze (Diné and Blackfeet) for her tireless support in administering our program and coordinating the logistics for this project. MFASA is particularly grateful to Felipe Estudillo Colón, our Provost, for his efforts in securing the funding that made our programming in Venice possible.”
Daily programming was done in collaboration with the New Institute Centre for Environmental Humanities at Ca’ Foscari University of Venice and was facilitated by its Director, Dr. Francesca Tarocco, and by Dr. Emiliano Guaraldo.
The Institute of American Indian Arts (IAIA)—the University for Indigenous Excellence—is deeply grateful to Jeffrey Gibson, the Ford Foundation, the Chihuly Foundation, Marist College, our education partner SITE Santa Fe, and the Portland Art Museum for supporting our students and providing them with exposure to international travel, intergenerational art and artists, and a life-changing experience.
In March 2025, IAIA will host an on-campus exhibition showcasing student work inspired by their experiences at the Venice Biennale.
Photographic Selections
Additional photographs will be posted in March 2025, during the launch of the on-campus exhibition showcasing student work inspired by experiences at the Venice Biennale.
MFASA Students ’25 | MFASA Students ’26 |
Avis Charley (Spirit Lake Dakota and Diné) Kimberly Fulton Orozco (Haida, Mexicana, and Anglo) Shannon Hooper (Paiute and Shoshone) Ursala Hudson (Tlingit) Cole RedHorse Taylor (Dakota) Kathleen Wall (Jemez Pueblo) | Matthew Bahe (Diné) Amanda Dorval Cedar Elford-White (Diné) Ashley Frantz (Makah, Lower Elwa S'Klallam, and Duwamish) Kelly Frye (Tesuque Pueblo) Chanelle Gallagher (Mille Lacs Band of Ojibwe) Victoria Hubbard (Mascalero Apache) Sayokla Kindness-Williams (Oneida Nation of Wisconsin) Viola LeBeau (Pit River Tribe) Jimmy Ramirez Ryle Yazzie (Diné) |
MFASA Mentors | Guest Presenters |
Heidi K. Brandow (Diné and Kānaka Maoli) Raven Chacon (Diné and Chicano) Andrea Carlson (Anishinaabe) Anna Hoover (Norwegian and Unangax̂) Dr. Tanya Lukin Linklater (Alutiiq and Sugpiaq) Dakota Mace (Diné) Dylan McLaughlin (Diné) Jackson Polys (Tlingit) Jordan Poorman Cocker (Kiowa and Tonga) Isabella Robbins (Diné) Sara Siestreem (Hanis Coos) Yvonne Tiger (Cherokee, Seminole, and Mvskoke) | Dr. Miranda Belarde-Lewis (Zuni and Tlingit) Yolanda Cruz (Chatina) Dr. Robert Jahnke (Ngai Taharora, Te Whanau a Iritekura, Te Whanau a Rakairo o Ngati Porou) Dr. Herman Piʻikea Clark (Keiki O Kaʻāina) Dr. Kanako Uzawa (Ainu) |
Staff | Undergraduate Students |
Dr. Mario Caro (Colombian Mestizo), MFASA Director Felipe J. Estudillo Colón (Laguna Pueblo), Provost Dawn Double Blaze (Diné and Blackfeet), MFASA Program Coordinator Jason S. Ordaz, Chief Communications Officer Daisy Quezada Ureña, Associate Academic Dean and Associate Professor, Studio Arts Mattie Reynolds (Choctaw Nation of Oklahoma), Chair, Museum Studies, and Assistant Professor | Miah Chalfant (Northern Cheyenne) Aiden Deleary (Chippewas of the Thames First Nation) Jesus Miguel Avena (Mexican-American, Mexica, Mestizo, and Chicano) Kayla Wanatee (Sac and Fox of the Mississippi) Honey M. Wilson (Cherokee Nation) |