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Action/Abstraction Redefined
Action Abstraction Redefined features paintings and works on paper from the IAIA Museum of Contemporary Native Arts (MoCNA) permanent collection created in the 1960s and 1970s. The artists in this exhibition challenged stereotypical expectations of Indian art by experimenting with American modern art movements such as Abstract Expressionism, Color Field and Hard-edge Painting combined with art influences from their own cultural heritage.
Find out more »2018–2019 Academic Calendar
IAIA Academic Calendars are updated on a regular basis. See the following files for up-to-date information and about past, current, and upcoming happenings.
Find out more »Robyn Tsinnajinnie and Austin Big Crow: The Holy Trinity
Robyn Tsinnajinnie (Navajo) and Austin Big Crow’s (Oglala Lakota) mural The Holy Trinity (2018) commemorates the strong women who have resonated through their lives.
Find out more »Wayne Nez Gaussoin: Adobobot
Wayne Nez Gaussoin’s (Diné/Picuris Pueblo) Adobobot is a modern modular robot with a Southwestern adobe façade.
Find out more »Art for a New Understanding: Native Perspectives, 1950s to Now
Art for a New Understanding: Native Perspectives, 1950s to Now seeks to expand and reposition art in the U.S. and Canada since 1950. It is the first exhibition to chart the development of contemporary Indigenous art from the United States and Canada.
Find out more »Art for a New Understanding: Native Perspectives, 1950s to Now—Films
MoCNA presents two feature-length films directed by Zacharias Kunuk, in conjunction with the exhibition Art for a New Understanding: Native Perspectives, 1950 to Now.
Find out more »Heidi K. Brandow: Unit of Measure
Heidi K. Brandow (Native Hawaiian/Diné) is a multi-disciplinary artist whose work is filled with whimsical characters that are often combined with poetry, stories, and personal reflections.
Find out more »Sum of Shadows
Sum of Shadows is an investigation into the memories carried with photographic artist Arista Slater-Sandoval from her childhood into adulthood, and the hidden influences they hold. In this series, cyanotype film stills from her childhood are overlaid with contemporary images to build complex connections between past and present.
Find out more »Sámi Intervention/Dáidda Gážada
Through video and installation art, this exhibition creates a narrative of visual sovereignty and cultural and intellectual connections with contemporary Sámi, who are Indigenous peoples from parts of Norway, Sweden, and northern Finland.
Find out more »Reconciliation
Reconciliation responds to the transformation and last year's ending of “La Entrada” as part of the Santa Fe Fiestas. Recognizing the power of art to open dialogue toward reconciliation, the exhibition will serve as an expression of “post-entrada” creativity in Santa Fe and surrounding communities.
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