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IAIA A-i-R: Marcus, Dorame, Little, and Redeye—Open Studios
Wed, October 17, 2018, 9:00 am–11:00 am| Free
Join IAIA Artist-in-Residence (A-i-R) artists Robert “Spooner” Marcus, Katie Dorame, Monty Little, and Luanne Redeye in the Academic Building on the IAIA campus from 3:00 pm–5:00 pm for tours of the artists’ studio spaces. Free and open to the public.
Robert “Spooner” Marcus
August 20, 2018–October 19, 2018
Robert “Spooner” Marcus (Ohkay Owingeh) is a glass artist. In 1993, just out of high school, his first job was working in a small glass studio in Española making juice cups. This experience as a production glass worker eventually led to his future as a glass artist. After that shop closed, he worked in a wood shop for four years. Then, in 2000, he heard of a glass shop in Taos and decided to dedicate himself to that program. Taos Glass Arts proved to be a turning point in his career. At this shop, he had the opportunity to expand his knowledge and work with other Native American glass artists. Taos Glass Arts closed it’s doors in 2005 and in 2006, he started working at Prairie Dog Glass located at Jackalope in Santa Fe. This is where he currently works producing custom and art glass. Some techniques he uses include blown and sand-carved vessels, sand castings, sculpted figures, and fused glass.
September 1, 2018–October 31, 2018
Luanne Redeye (Seneca) uses painting as a way to see others. Working primarily in oil she depicts the relationship between perception and experience of native identity through genre scenes, designs, and portraits.
Born in Jamestown, New York, Redeye grew up on the Allegany Indian Reservation in Western New York. It is from here where she draws inspiration incorporating community and family members into her paintings which gives her work a strong personal and emotional component.
Redeye currently lives in Albuquerque, NM. She is an enrolled member of the Seneca Nation of Indians and the Hawk Clan. She studied at the University of New Mexico where she received her MFA in 2011. She has exhibited throughout the US and has been the recipient of various awards including, most recently, the Barbara and Eric Dobkin Fellowship at the School for Advanced Research in Santa Fe, NM.
Luanne Redeye’s residency session is made possible by the generous support of Sunrise Springs Spa Resort in partnership with IAIA.
September 26, 2018–October 20, 2018
Katie Dorame (Gabrielino/Tongva) is a visual artist born in Los Angeles, currently living and working in Oakland, California. Dorame creates paintings and drawings filled with actors, film scenes, props, and costumes—building her own directorial vision. Her work offers a perspective outside of conventional blockbusters, twisting classic, contemporary, and b-movies into other worlds.
Challenging Hollywood’s typecasting and depictions of Indigenous actors and other actors of color by recasting, re-working roles and using genres, both film and art historical, to question cinema’s romanticized views of the past that have persisted.
Dorame’s work has been exhibited nationally at various galleries including Shulamit Nazarian, Southern Exposure, Galería de la Raza, Incline Gallery, the Thacher Gallery at the University of San Francisco and the Handwerker Gallery at Ithaca College in New York. She received her MFA from California College of the Arts and her BA from the University of California, Santa Cruz. She is an Indigenous artist of mixed descent and member of the Gabrielino/Tongva tribe of California.
October 3, 2018–November 5, 2018
After five semesters of studying architecture at Arizona State University, Monty Little (Diné) enlisted in the Marine Corps as a Rifleman in 2004. During his enlistment, Little was stationed with 2nd Battalion, 5th Marines and served as a fire team leader while deployed in Iraq for seven months. In 2008, Little was Honorably Discharged from the Marine Corps.
Following his service, Little graduated with a BFA from the IAIA in 2015, with a double major—Creative Writing and Studio Arts. It was at IAIA where he began to translate his thoughts on his experience of war and post-war. Little visualizes his written work of anomalistic images of war, past and current memories, and employs a disarray of images that interstice uncertainty. Placement is indirect, yet strict, but not predictable-he finds clarity to be marginal. Little began to paint and print his poems using each medium as erasure, where unsettling truths reveal personal components and texture is integral, yet disruptive, to finding his past chaotic.
Little’s current body of work re-conceptualizes various Edward S. Curtis photographs in which the Indigenous portraits are renegotiated in a distorted lens. Meaning, Curtis’s nostalgic portraits are presently an illusion, whereas, the impact of modernity, assimilation, and complex identity now distort contemporary Indigeneity. He is interested in renovating Curtis’s photographs by investigating irregularity in portraiture, where he uses glazing and alla prima techniques to paint his photos surreal. He continues to explore the discourse of perception in relationship to traditional and contemporary Indigenous identity. Little currently lives and works in Tulsa, Oklahoma with his family.