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Robyn Tsinnajinnie and Austin Big Crow: The Holy Trinity
Robyn Tsinnajinnie (Navajo) and Austin Big Crow’s (Oglala Lakota) mural The Holy Trinity (2018) commemorates the strong women who have resonated through their lives.
Find out more »Sámi Intervention/Dáidda Gážada
Through video and installation art, this exhibition creates a narrative of visual sovereignty and cultural and intellectual connections with contemporary Sámi, who are Indigenous peoples from parts of Norway, Sweden, and northern Finland.
Find out more »Experimental exPRESSion: Printmaking at IAIA, 1963–1980
Experimental exPRESSion: Printmaking at IAIA, 1963–1980 features fifty-one recently-acquired works on paper from the Tubis Print Collection.
Find out more »Lynnette Haozous: Abolishing the Entrada
As part of the Reconciliation exhibition, artist Lynnette Haozous (Chiricahua Apache/Diné//Taos Pueblo) painted a mural depicting the last day of the Entrada.
Find out more »G. Peter Jemison: Iroquois Creation Story
This exhibition features colored pencil drawings and 3-D works by renowned contemporary Native artist G. Peter Jemison (Seneca, Heron Clan) created in preparation for his film Iroquois Creation Story.
Find out more »Indigenous Futurisms, Tom Jones, Tamara Ann Burgh and Luanne Redeye, and Experimental exPRESSion—Virtual Exhibition
Virtual exhibitions for Indigenous Futurisms, Tom Jones, Tamara Ann Burgh and Luanne Redeye, and Experimental exPRESSion.
Find out more »In Plain Sight: The Art of IAIA Faculty and Staff
Each and every day, the IAIA faculty and staff work tirelessly to make the campus and museum an epicenter of Native American art and learning. But how often are these educators, administrators, and museum professionals afforded a moment in the spotlight?
Find out more »Charlene Teters: Way of Sorrows
Way of Sorrows, a new installation by Charlene Teters (Spokane), addresses current issues such as forced migrations and the US-Mexico border crises, while asking questions about responsibility and identifying new myths.
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